Optics O:O November 2-4, 2016
Roulette Intermedia, 509 Atlantic Ave, Brooklyn NY 11217
Featuring live performances, new premieres, and historical works by: Alex Bag, Tom Rubnitz featuring Ann Magnusson, Brenna Murphy, Richard Serra, Rose Kallal, Kenny Curwood, Ben Vida, Jeff DeGolier, Jeremy Couillard, Sabrina Ratté, Roger Tellier Craig, Sara Ludy, Peter Burr, Xeno & Oaklander, Scott Kiernan, Michael Robinson, Jennifer Juniper Stratford, Elena Romenkova, Takeshi Murata, Damon Zucconi, Sydney Shen, Laurel Schwulst, Erica Magrey, Georgia , Data Garden, Camilla Padgitt-Coles, LoVid Hinkis-Lapidus, Mv Carbon, and Lauryn S. Siegel.
Installations:
Richard Serra with Carlotta Fay Schoolman, "Television Delivers People" 1973, TRT 6:55 min
MV Carbon, “Advocatus Diaboli” 2016, stereo sound and video animation installation
Commissioned video:
Lauryn Siegel, Optics O:O Preview Trailer, poster, and and logo
Brenna Murphy, Optics O:O Event night preview videos
November 2: Parallax View
This program looks at artists exploring ways of seeing and new worlds through video based technologies. An investigation of imagined and real spaces, VR, rendering architecture, and objects both real and fantastical.
Part 1: Screening
Sara Ludy, “Canyon” 2016, TRT 2min, 3 channel video, color, silent
Brenna Murphy, “Lattice Creaser” 2016, TRT 1:00 min, color, sound
Elena Romenkova, "Terning" 2016, TRT 1:24 min, color, sound
Sabrianna Ratte with Roger Tellier Craig “Escales” 2016, TRT 6:38 min
Peter Burr, “The Mess” 2016, TRT 10:18 min, color, sound
Part 2: Live Performances
Jeremy Couillard, Alien Afterlife
The VR intro was commissioned by the New Museum and Rhizome. Sound and music in the intro by Bojan Cizmic/X-Coast. Narration by Kate Walsh. Additional 3D modeling by Kevin Tran. Live score at Roulette by Corey Riddell
Alien Afterlife is a first person video game in beta where you die and go into the afterlife only to find out it has been invaded by aliens. There is only a simulation that you are stuck in forever. Is our own consciousness something we can trust? Did aliens invade our minds a long time ago and we never realized? Why are we building a world none of us actually want? Why are we using our technology so awkwardly? VR headsets available. App must be downloaded prior to performance.
Georgia (Justin Tripp and Brian Close) Visual scraps that were unused in Georgia’s “work" are sewn together into a subconscious stream of movements and accompanied by a live improvisational sound performance by the “group.” It is recommended that audience members make use of the 6k projection glasses to be found underneath the first seat of each row.
November 3: TV EYE
This program focuses on artists using the medium of broadcast in their work. An exploration of the variables that make up the televisual as well as the shifting visual language present within the medium. Considerations include: Audience/ live audience involvement, studio set, framing the video, serials,and timing.
Part 1: Screening
Takeshi Murata, “Timewarp Experiment” 2007, TRT 2:37min, color, silent
Tom Rubnitz featuring Ann Magnuson, “Made for TV” 1984, TRT 15:58, color, sound
Alex Bag “Fancy Pantz” 1997, TRT 9:13 min, color, sound
Erica Magrey “Come As You Are” 2016, TRT 6:17, color, sound
Jennifer Juniper Stratford “Future Crew” 2016, TRT 13:56 min, color, sound
Michael Robinson “Mad Ladders” 2015, TRT 9:45 min, color, sound
Part 2: Live Performances
Scott Kiernan with Xeno and Oaklander
For their live collaboration for OPTICS O:O, Scott Kiernan and Xeno and Oaklander create a television shoot for the stage, extending from their recent video for "Marble" with new songs off their latest album Topiary. Roulette's stage becomes an abstracted TV studio complete with three camera crew and audible direction, in which production commands play word games with lyrical content, and roles and reflections become confused in a three channel video mix. For this performance, Roulette will transform into a live television studio environment.
November 4: Encoder/ Decoder
Exploring creative and systematic investigation of the signal as medium. Through works in both sound and vision, the program focuses on the use of algorithm, sonic to visual translation, and rule-based structures. A program of live performances place process foremost in the compositions.
Part 1: Screening
Damon Zucconi, Laurel Schwulst, Sydney Shen “Serpentine + Tam Dao” 2016, TRT 1:00 on loop rotation, color, sound
LoVid “Untitled” 2016, TRT 9:35min, color, sound
Victoria Keddie, “Headbanger (Lines)” 2015, TRT 10:48 min excerpt, color, sound
Part 2: Live Performances
Rose Kallal, Kenneth Zoran Curwood, Ben Vida and Jeff DeGolier, Data Garden with Camilla Padgitt- Coles and Joe Shapiro