http://www.victoriakeddie.com Gedanken Thu, 10 May 2012 18:35:19 +0000 http://www.victoriakeddie.com en http://victoriakeddie.com/ESP-LAB http://victoriakeddie.com/following/victoriakeddie.com/ESP-LAB Thu, 10 May 2012 18:35:19 +0000 Gedanken 3380617 ESP LAB is a media based collaborative, formed by Victoria Keddie and Scott Kiernan in 2012. The collaboration explores sound and vision through analog methods and electronics. Work is presented in both a performative context as well as exhibited. Their hybrid station for manipulating video signals and soundwaves is comprised of signal generators, TV monitors, video mixers, and modulators. Kiernan and Keddie also direct and operate E.S.P. TV, a live taping broadcast on MNN network (http://esptvnyc.com/). Dot Drone (2012) 10:59min w sound analog video, signal generators, ring modulator, video mixer, tv monitor Concept: Using basic TV monitor testing patterns drive outputted through mixer to create a nervous balance of structure and a literal meltdown of form into unique rolling geometry. Mask Valley (2012) 7:58min w sound analog video, signal generators, ring modulator, video mixer, tv monitor Concept: Masking visuals through overloaded circuit to create a dialogue between controlled planes and erratic reproductive patterns Crystallus: Erotic Impact Phase + ESP (2012) 30 min w live sound Collaboration with 3 channel 16mm film by Kat Bauer Signal generators, video mixer, tube cameras, tv monitors, chroma enhancer Concept: To create an engaging environment using film and video in conversation. Images weave between mirror replication of projected image and with signal distortion. 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data-mid="17376591" border="0" align="left"/><img src="http://payload54.cargocollective.com/1/1/34263/3380617/Marker 22 .jpg" width="670" height="446" width_o="720" height_o="480" src_o="http://payload54.cargocollective.com/1/1/34263/3380617/Marker 22 _o.jpg" data-mid="17376594" border="0" align="left"/><img src="http://payload54.cargocollective.com/1/1/34263/3380617/Marker 21 f-00.jpg" width="670" height="446" width_o="720" height_o="480" src_o="http://payload54.cargocollective.com/1/1/34263/3380617/Marker 21 f-00_o.jpg" data-mid="17376596" border="0" align="left"/><img src="http://payload54.cargocollective.com/1/1/34263/3380617/Marker 20 f.jpg" width="670" height="446" width_o="720" height_o="480" src_o="http://payload54.cargocollective.com/1/1/34263/3380617/Marker 20 f_o.jpg" data-mid="17376597" border="0" align="left"/><img src="http://payload54.cargocollective.com/1/1/34263/3380617/Marker 19 f.jpg" width="670" height="446" width_o="720" height_o="480" src_o="http://payload54.cargocollective.com/1/1/34263/3380617/Marker 19 f_o.jpg" data-mid="17376598" border="0" align="left"/><img src="http://payload54.cargocollective.com/1/1/34263/3380617/Marker 106.jpg" width="670" height="446" width_o="720" height_o="480" src_o="http://payload54.cargocollective.com/1/1/34263/3380617/Marker 106_o.jpg" data-mid="17376600" border="0" align="left"/><img src="http://payload54.cargocollective.com/1/1/34263/3380617/Marker 105 .jpg" width="670" height="446" width_o="720" height_o="480" src_o="http://payload54.cargocollective.com/1/1/34263/3380617/Marker 105 _o.jpg" data-mid="17376603" border="0" align="left"/><img src="http://payload54.cargocollective.com/1/1/34263/3380617/Marker 17 .jpg" width="670" height="446" width_o="720" height_o="480" src_o="http://payload54.cargocollective.com/1/1/34263/3380617/Marker 17 _o.jpg" data-mid="17376604" border="0" align="left"/><img src="http://payload54.cargocollective.com/1/1/34263/3380617/Marker 15 .jpg" width="670" height="446" width_o="720" height_o="480" src_o="http://payload54.cargocollective.com/1/1/34263/3380617/Marker 15 _o.jpg" data-mid="17376607" border="0" align="left"/><img src="http://payload54.cargocollective.com/1/1/34263/3380617/Marker 14 .jpg" width="670" height="446" width_o="720" height_o="480" src_o="http://payload54.cargocollective.com/1/1/34263/3380617/Marker 14 _o.jpg" data-mid="17376609" border="0" align="left"/><img src="http://payload54.cargocollective.com/1/1/34263/3380617/Marker 13a.jpg" width="670" height="446" width_o="720" height_o="480" src_o="http://payload54.cargocollective.com/1/1/34263/3380617/Marker 13a_o.jpg" data-mid="17376611" border="0" align="left"/><img src="http://payload54.cargocollective.com/1/1/34263/3380617/Marker 13 .jpg" width="670" height="446" width_o="720" height_o="480" src_o="http://payload54.cargocollective.com/1/1/34263/3380617/Marker 13 _o.jpg" data-mid="17376612" border="0" align="left"/><img src="http://payload54.cargocollective.com/1/1/34263/3380617/Marker 12 .jpg" width="670" height="446" width_o="720" height_o="480" src_o="http://payload54.cargocollective.com/1/1/34263/3380617/Marker 12 _o.jpg" data-mid="17376614" border="0" align="left"/><img src="http://payload54.cargocollective.com/1/1/34263/3380617/Marker 11 .jpg" width="670" height="446" width_o="720" height_o="480" src_o="http://payload54.cargocollective.com/1/1/34263/3380617/Marker 11 _o.jpg" data-mid="17376617" border="0" align="left"/><img src="http://payload54.cargocollective.com/1/1/34263/3380617/Marker 104.jpg" width="670" height="446" width_o="720" height_o="480" src_o="http://payload54.cargocollective.com/1/1/34263/3380617/Marker 104_o.jpg" data-mid="17376620" border="0" align="left"/><img src="http://payload54.cargocollective.com/1/1/34263/3380617/Marker 103 .jpg" width="670" height="446" width_o="720" height_o="480" src_o="http://payload54.cargocollective.com/1/1/34263/3380617/Marker 103 _o.jpg" data-mid="17376622" border="0" align="left"/><img src="http://payload54.cargocollective.com/1/1/34263/3380617/Marker 102 .jpg" width="670" height="446" width_o="720" height_o="480" src_o="http://payload54.cargocollective.com/1/1/34263/3380617/Marker 102 _o.jpg" data-mid="17376623" border="0" align="left"/> Exhibitions and Performances: MAY 10 @7PM Crystallus: Astral Erotic Impact Phase::: ESP LAB 3 channel film projection by, Kat Bauer Live video/ signal manipulation by Scott Kiernan and Victoria Keddie 80WSE Gallery 80 Washington SQ East, NYC UPCOMING: May 27 @ 8PM Fotophono, curated by Gill Arno Brooklyn, NY June 2 @8PM "No Found Route" Aggregate Space 801 West Grand Avenue Oakland CA 94607 http://aggregatespace.com/ July 19 Chelsea NYC, details tba http://esptvnyc.com/ http://victoriakeddie.com/Optics-O-O http://victoriakeddie.com/following/victoriakeddie.com/Optics-O-O Wed, 22 Feb 2012 23:58:00 +0000 Gedanken 2863757 PURE FEEDBACK: Revisited, slightly Scott Bartlett and Tom DeWitt Ditto <img src="http://payload28.cargocollective.com/1/1/34263/2863757/Screen_shot_2012_04_10_at_1.37.45_PM.png" width="471" height="345" width_o="471" height_o="345" src_o="http://payload28.cargocollective.com/1/1/34263/2863757/Screen_shot_2012_04_10_at_1.37.45_PM_o.png" data-mid="16287290" border="0" align="left"/> The Film-makers' Coop 475 Park Ave, 6th Floor, NYC Entry: $10 No RSVP Necessary Limited seating. Booze and bites served. "The Leap" (1968) 16mm; 7min, color by Tom DeWitt Ditto "The Fall" (1971) 16mm; 19min, color by Tom DeWitt Ditto "OFFON" (1967) 16mm; 9min, color by Scott Bartlett "Moon 1969" (1969) 16mm; 15min, color by Scott Bartlett "Lovemaking" (1970) 16mm; 13min, color by Scott Bartlett TRT: 63 min (approx) Curated by Victoria Keddie from the vaults of Film-Makers COOP http://film-makerscoop.com/ <img src="http://payload28.cargocollective.com/1/1/34263/2863757/7_10_Ins5_RadicalLight_ph1.jpeg" width="670" height="503" width_o="700" height_o="526" src_o="http://payload28.cargocollective.com/1/1/34263/2863757/7_10_Ins5_RadicalLight_ph1_o.jpeg" data-mid="14778658" border="0" align="left"/><img src="http://payload28.cargocollective.com/1/1/34263/2863757/computer made films1.jpg" width="670" height="907" width_o="1200" height_o="1626" src_o="http://payload28.cargocollective.com/1/1/34263/2863757/computer made films1_o.jpg" data-mid="14778638" border="0" align="left"/> Scott Bartlett (1943 – 1990 in San Francisco, CA) was one of the premiere abstract experimental filmmakers of the late 1960s and the 1970s. He worked with developing technologies to manipulate images on 16mm film. Such techniques are now part of the definitive language of analogue video mixing. From his earliest work in 1966, we see a breaking of the image as whole into kaleidoscopic renderings. His later work articulates this idea further into a psychedelic dance of image, color, and sound. Tom DeWitt Ditto (San Francisco, CA), one of the founders of Canyon Cinema, has had notable achievements in both the arts and sciences. A Fellow of the Guggenheim Foundation as an artist, a three time Fellow of the National Endowment of the Arts and a Fellow of the American Film Institute; he has also been named four times as a Principal Investigator for the National Science Foundation and served as a Fellow of the NASA Institute for Advanced Concepts where he designed a novel telescope.After an apprenticeship in film under Stan Vanderbeek in 1965, Tom DeWitt met Scott Bartlett and the two put together a unique light show based on film loops that eventuated in OffOn (1967). David First (Philadelphia, PA), as a composer, has created everything from finely crafted pop songs to long, severely minimalist drone-works. His performances often find him sitting trance-like without seeming to move a muscle, unless he is playing with his recently re-formed psychedelic punk band, Notekillers, at which time he is a whirling blur of hyperactive energy. First has been called "a fascinating artist with a singular technique" in the New York Times, and "a bizarre cross between Hendrix and La Monte Young" in the Village Voice. http://www.davidfirst.com http://film-makerscoop.com/ _________________________________________ <img src="http://payload28.cargocollective.com/1/1/34263/2863757/f09_02_7362.jpg" width="400" height="303" width_o="400" height_o="303" src_o="http://payload28.cargocollective.com/1/1/34263/2863757/f09_02_7362_o.jpg" data-mid="14558090" border="0" align="left"/> Credit: Still from "7362" by Pat O'Neill OPTICS O:O Jan 22, 2012 7pm Vaudeville Park 26 Bushwick Ave Brooklyn NY 11211 info@vaudevillepark.org 1. "Radio Dynamics" (1943) 16mm; 4min by Oskar Fischinger 2. "7362" (1967) 16mm; 9min by Pat O'Neill 3. Untitled (2010)16mm; 10 min double projection with live sound by Sarah Halpern 4. "Dr. Delay" (2011)16mm; 4 min by Kenneth Zoran Curwood 5. "Lapis" (1966) 16mm; 10 min by James Whitney (digital video) 6. "Nuthouse"(1978) on 8mm blown up w/ optical printer in1981 kodachrome to kodachrome; 8min by Lary 7 This program highlights avant guard filmmakers who have worked extensively with optical printing techniques or have been influenced by optical printing in their work. Artists in the program are some of the pioneers of optical printing as well as innovators of new machines, mechanisms, and even computer software to hybridize printing techniques and create something new. Younger artists within the program exemplify similar methodologies of thinking and showcase their own customized techniques. Programme is approx 54 minutes in duration. Programme curated by Victoria Keddie. Unless otherwise noted, all works will be screened on 16mm. http://victoriakeddie.com/INDEX-in-GENERAL http://victoriakeddie.com/following/victoriakeddie.com/INDEX-in-GENERAL Wed, 22 Feb 2012 23:52:59 +0000 Gedanken 2808824 <img src="http://payload25.cargocollective.com/1/1/34263/2808824/375413_10150526393266101_530281100_10847193_1570720745_n.jpg" width="670" height="893" width_o="720" height_o="960" src_o="http://payload25.cargocollective.com/1/1/34263/2808824/375413_10150526393266101_530281100_10847193_1570720745_n_o.jpg" data-mid="14558039" border="0" align="left"/><img src="http://payload25.cargocollective.com/1/1/34263/2808824/Screen_shot_2011_12_08_at_5.52.00_PM.png" width="670" height="436" width_o="670" height_o="436" src_o="http://payload25.cargocollective.com/1/1/34263/2808824/Screen_shot_2011_12_08_at_5.52.00_PM_o.png" data-mid="14557968" border="0" align="left"/><img src="http://payload25.cargocollective.com/1/1/34263/2808824/394064_10150526389966101_530281100_10847183_674973042_n.jpg" width="670" height="502" width_o="960" height_o="720" src_o="http://payload25.cargocollective.com/1/1/34263/2808824/394064_10150526389966101_530281100_10847183_674973042_n_o.jpg" data-mid="14558036" border="0" align="left"/><img src="http://payload25.cargocollective.com/1/1/34263/2808824/393589_10150526388576101_721738599_n.jpg" width="670" height="502" width_o="960" height_o="720" src_o="http://payload25.cargocollective.com/1/1/34263/2808824/393589_10150526388576101_721738599_n_o.jpg" data-mid="14558037" border="0" align="left"/><img src="http://payload25.cargocollective.com/1/1/34263/2808824/389968_10150526388426101_530281100_10847177_178680493_n.jpg" width="670" height="502" width_o="960" height_o="720" src_o="http://payload25.cargocollective.com/1/1/34263/2808824/389968_10150526388426101_530281100_10847177_178680493_n_o.jpg" data-mid="14558038" border="0" align="left"/> INDEX in GENERAL The Index Festival goes to General Public in Berlin December 10, 2011 Special [Mis]Adventures performance with Robert Heel, Victoria Keddie, Films by: Tim Geraghty, Liz Wendelbo, Michael Robinson, and Kerry Downey an Lea Bertucci, and E.S.P. live video mix for international broadcast! http://www.generalpublic.de/nc/current/events/article/19/indexingeneral.html http://victoriakeddie.com/The-Seven-Vertices http://victoriakeddie.com/following/victoriakeddie.com/The-Seven-Vertices Wed, 22 Feb 2012 23:47:39 +0000 Gedanken 2808840 The Seven Vertices curated by Victoria Keddie <img src="http://payload25.cargocollective.com/1/1/34263/2808840/TimGeraghty.png" width="632" height="352" width_o="632" height_o="352" src_o="http://payload25.cargocollective.com/1/1/34263/2808840/TimGeraghty_o.png" data-mid="14843386" border="0" align="left"/><img src="http://payload25.cargocollective.com/1/1/34263/2808840/SadekBazaraa.png" width="628" height="357" width_o="628" height_o="357" src_o="http://payload25.cargocollective.com/1/1/34263/2808840/SadekBazaraa_o.png" data-mid="14843387" border="0" align="left"/><img src="http://payload25.cargocollective.com/1/1/34263/2808840/MichaelRobinson.png" width="624" height="472" width_o="624" height_o="472" src_o="http://payload25.cargocollective.com/1/1/34263/2808840/MichaelRobinson_o.png" data-mid="14843391" border="0" align="left"/><img src="http://payload25.cargocollective.com/1/1/34263/2808840/LizWendeblo.png" width="631" height="470" width_o="631" height_o="470" src_o="http://payload25.cargocollective.com/1/1/34263/2808840/LizWendeblo_o.png" data-mid="14843394" border="0" align="left"/><img src="http://payload25.cargocollective.com/1/1/34263/2808840/KatBauer.png" width="310" height="240" width_o="310" height_o="240" src_o="http://payload25.cargocollective.com/1/1/34263/2808840/KatBauer_o.png" data-mid="14843397" border="0" align="left"/><img src="http://payload25.cargocollective.com/1/1/34263/2808840/JonSantos.png" width="614" height="455" width_o="614" height_o="455" src_o="http://payload25.cargocollective.com/1/1/34263/2808840/JonSantos_o.png" data-mid="14843399" border="0" align="left"/><img src="http://payload25.cargocollective.com/1/1/34263/2808840/AlyssaTaylorWendt.png" width="476" height="312" width_o="476" height_o="312" src_o="http://payload25.cargocollective.com/1/1/34263/2808840/AlyssaTaylorWendt_o.png" data-mid="14843406" border="0" align="left"/> Little Paper Planes http://www.littlepaperplanes.com/exhibition-full/ October 17-Nov 17, 2011 Artists, Jon Santos, Liz Wendelbo, Alyssa Taylor Wendt, Tim Geraghty, Michael Robinson, Sadek Bazaraa, and Katherine Bauer make up the virtual heptahedron. The programme consists of seven artists with seven alternate, perceptive realities. Each artist welcomes the viewer into a fantastical, non-linear, patterned and psychotropic universe. A vertex is the meeting point of two planes. Seven vertices make up the heptahedron, a geometric shape that can transform into a number of different forms, or topologies such as the hexagonal pyramid and the pentagonal prism. For the context of this programme, each work articulates a point between two reflective visual and visceral planes amidst an evolving geometry of light, form, narrative, and sound. https://vimeo.com/16635484 <img src="http://payload25.cargocollective.com/1/1/34263/2808840/7497_w436.jpeg" width="436" height="600" width_o="436" height_o="600" src_o="http://payload25.cargocollective.com/1/1/34263/2808840/7497_w436_o.jpeg" data-mid="14557903" border="0" align="left"/><img src="http://payload25.cargocollective.com/1/1/34263/2808840/7498_w436.jpeg" width="436" height="3740" width_o="436" height_o="3740" src_o="http://payload25.cargocollective.com/1/1/34263/2808840/7498_w436_o.jpeg" data-mid="14557939" border="0" align="left"/> http://victoriakeddie.com/E-S-P-TV http://victoriakeddie.com/following/victoriakeddie.com/E-S-P-TV Wed, 22 Feb 2012 23:42:29 +0000 Gedanken 2863684 http://www.esptvnyc.com/ XENO AND OAKLANDER on E.S.P. 14 (excerpt) Taped in front of a live studio audience at Present Company, Brooklyn NY. March 16, 2012. Live video mixing and manipulation by Scott Kiernan, Ethan Miller, Victoria Keddie and Roberto Lange Cameras by Josh Steinbauer, Matt Bonner, Rachelle Rahme Live Sound by Daren Ho Production Assistance by Lee Lichtsinn and Nichole Caruso Xeno and Oaklander on E.S.P. 14 (excerpt) from LOUIS V E.S.P. on Vimeo. Xperimental http://victoriakeddie.com/Optipus-Laboratory http://victoriakeddie.com/following/victoriakeddie.com/Optipus-Laboratory Tue, 14 Feb 2012 18:27:24 +0000 Gedanken 2808778 <img src="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.04.36 PM.png" width="623" height="394" width_o="623" height_o="394" src_o="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.04.36 PM_o.png" data-mid="16649809" border="0" align="left"/><img src="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.04.50 PM.png" width="624" height="384" width_o="624" height_o="384" src_o="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.04.50 PM_o.png" data-mid="16649807" border="0" align="left"/><img src="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.06.02 PM.png" width="629" height="390" width_o="629" height_o="390" src_o="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.06.02 PM_o.png" data-mid="16649806" border="0" align="left"/><img src="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.06.13 PM.png" width="622" height="378" width_o="622" height_o="378" src_o="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.06.13 PM_o.png" data-mid="16649805" border="0" align="left"/><img src="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.06.59 PM.png" width="618" height="389" width_o="618" height_o="389" src_o="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.06.59 PM_o.png" data-mid="16649804" border="0" align="left"/><img src="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.07.17 PM.png" width="622" height="382" width_o="622" height_o="382" src_o="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.07.17 PM_o.png" data-mid="16649803" border="0" align="left"/><img src="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.07.41 PM.png" width="619" height="381" width_o="619" height_o="381" src_o="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.07.41 PM_o.png" data-mid="16649802" border="0" align="left"/><img src="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.07.52 PM.png" width="634" height="382" width_o="634" height_o="382" src_o="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.07.52 PM_o.png" data-mid="16649801" border="0" align="left"/><img src="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.08.19 PM.png" width="637" height="397" width_o="637" height_o="397" src_o="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.08.19 PM_o.png" data-mid="16649799" border="0" align="left"/><img src="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.08.36 PM.png" width="631" height="396" width_o="631" height_o="396" src_o="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.08.36 PM_o.png" data-mid="16649798" border="0" align="left"/><img src="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.08.46 PM.png" width="629" height="381" width_o="629" height_o="381" src_o="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.08.46 PM_o.png" data-mid="16649796" border="0" align="left"/><img src="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.09.21 PM.png" width="630" height="388" width_o="630" height_o="388" src_o="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.09.21 PM_o.png" data-mid="16649795" border="0" align="left"/><img src="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.09.36 PM.png" width="634" height="391" width_o="634" height_o="391" src_o="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.09.36 PM_o.png" data-mid="16649794" border="0" align="left"/> <img src="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.19.58 PM.png" width="622" height="381" width_o="622" height_o="381" src_o="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.19.58 PM_o.png" data-mid="16650009" border="0" align="left"/><img src="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.20.12 PM.png" width="630" height="383" width_o="630" height_o="383" src_o="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.20.12 PM_o.png" data-mid="16650010" border="0" align="left"/><img src="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.20.27 PM.png" width="623" height="385" width_o="623" height_o="385" src_o="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.20.27 PM_o.png" data-mid="16650011" border="0" align="left"/><img src="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.20.35 PM.png" width="626" height="385" width_o="626" height_o="385" src_o="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.20.35 PM_o.png" data-mid="16650013" border="0" align="left"/><img src="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.20.43 PM.png" width="630" height="383" width_o="630" height_o="383" src_o="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.20.43 PM_o.png" data-mid="16650014" border="0" align="left"/><img src="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.20.59 PM.png" width="612" height="373" width_o="612" height_o="373" src_o="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.20.59 PM_o.png" data-mid="16650015" border="0" align="left"/><img src="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.21.36 PM.png" width="601" height="381" width_o="601" height_o="381" src_o="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.21.36 PM_o.png" data-mid="16650016" border="0" align="left"/><img src="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.22.07 PM.png" width="626" height="382" width_o="626" height_o="382" src_o="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.22.07 PM_o.png" data-mid="16650017" border="0" align="left"/><img src="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.22.28 PM.png" width="627" height="388" width_o="627" height_o="388" src_o="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.22.28 PM_o.png" data-mid="16650019" border="0" align="left"/><img src="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.22.42 PM.png" width="626" height="383" width_o="626" height_o="383" src_o="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.22.42 PM_o.png" data-mid="16650020" border="0" align="left"/><img src="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.23.25 PM.png" width="628" height="385" width_o="628" height_o="385" src_o="http://payload25.cargocollective.com/1/1/34263/2808778/Screen shot 2012-04-21 at 1.23.25 PM_o.png" data-mid="16650021" border="0" align="left"/> <img src="http://payload25.cargocollective.com/1/1/34263/2808778/aLABis_large.png" width="232" height="205" width_o="232" height_o="205" src_o="http://payload25.cargocollective.com/1/1/34263/2808778/aLABis_large_o.png" data-mid="14263900" border="0" align="left"/> Optipus Laboratory March 30-31, 2012 8PM The Kitchen http://www.thekitchen.org/event/303/0/1/ Organized by Bradley Eros For the first evening of this weekend of live cinema and sound work, a group of audio-visual experimenters comes together for a lab is a lab is a lab, a structure for improvisation and collaboration that film artist Bradley Eros premiered at The Kitchen in 2007. Here, sound- and image-makers engage in interlocking solos and duos involving projections and music made with tape machines, film loops, contact mikes, glass slides, modified synthesizers, and stringed instruments. Players include Gill Arno, Jonas Asher, Lea Bertucci, MV Carbon, Eros, Victoria Keddie, and Lary Seven. On Saturday, Optipus—an NYC media collective composed of Eros, Keddie, and Seven, plus Katherine Bauer, Tim Geraghty, Rachael Guma, Sarah Halpern, Jay Hudson, Rachelle Rahme, and Pancho—presents expanded tentacles, an evening of three works with ephemeral projections and live soundtracks: Spectrum, a color-coded composition for expanded cinema with electronics, foley, and strings; Séance, a video of Houdini magic and mischief, with an electrified Ouiji board and ensemble; and The Owl of Minerva, dedicated to the death of Kodachrome film and other obsolete technologies of analog media. This program is made possible with support from The Andy Warhol Foundation for the Visual Arts and with public funds from the New York City Department of Cultural Affairs and the New York State Council on the Arts, a state agency. http://victoriakeddie.com/INDEX-FESTIVAL http://victoriakeddie.com/following/victoriakeddie.com/INDEX-FESTIVAL Sun, 16 Oct 2011 04:02:00 +0000 Gedanken 998645 http://indexfestival.com <img src="http://payload.cargocollective.com/1/1/34263/998645/screen-shot-2011-09-10-at-2-30-04-pm.png" width="518" height="388" width_o="518" height_o="388" src_o="http://payload.cargocollective.com/1/1/34263/998645/screen-shot-2011-09-10-at-2-30-04-pm_o.png" data-mid="14842786" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/998645/screen-shot-2011-09-10-at-1-50-48-pm.png" width="518" height="341" width_o="518" height_o="341" src_o="http://payload.cargocollective.com/1/1/34263/998645/screen-shot-2011-09-10-at-1-50-48-pm_o.png" data-mid="14842814" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/998645/screen-shot-2011-09-10-at-2-34-30-pm.png" width="518" height="342" width_o="518" height_o="342" src_o="http://payload.cargocollective.com/1/1/34263/998645/screen-shot-2011-09-10-at-2-34-30-pm_o.png" data-mid="14842806" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/998645/screen-shot-2011-09-10-at-2-31-45-pm.png" width="518" height="339" width_o="518" height_o="339" src_o="http://payload.cargocollective.com/1/1/34263/998645/screen-shot-2011-09-10-at-2-31-45-pm_o.png" data-mid="14842788" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/998645/worldsreal4.jpeg" width="518" height="324" width_o="518" height_o="324" src_o="http://payload.cargocollective.com/1/1/34263/998645/worldsreal4_o.jpeg" data-mid="14842895" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/998645/picture-221.jpeg" width="518" height="388" width_o="518" height_o="388" src_o="http://payload.cargocollective.com/1/1/34263/998645/picture-221_o.jpeg" data-mid="14842897" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/998645/fillthebarn4.jpeg" width="518" height="374" width_o="518" height_o="374" src_o="http://payload.cargocollective.com/1/1/34263/998645/fillthebarn4_o.jpeg" data-mid="14842898" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/998645/seven_51.jpeg" width="518" height="364" width_o="518" height_o="364" src_o="http://payload.cargocollective.com/1/1/34263/998645/seven_51_o.jpeg" data-mid="14842899" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/998645/screen-shot-2011-09-10-at-2-33-10-pm.png" width="518" height="338" width_o="518" height_o="338" src_o="http://payload.cargocollective.com/1/1/34263/998645/screen-shot-2011-09-10-at-2-33-10-pm_o.png" data-mid="14842794" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/998645/screen-shot-2011-09-10-at-2-34-00-pm.png" width="518" height="384" width_o="518" height_o="384" src_o="http://payload.cargocollective.com/1/1/34263/998645/screen-shot-2011-09-10-at-2-34-00-pm_o.png" data-mid="14842803" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/998645/screen-shot-2011-09-10-at-2-35-25-pm.png" width="518" height="335" width_o="518" height_o="335" src_o="http://payload.cargocollective.com/1/1/34263/998645/screen-shot-2011-09-10-at-2-35-25-pm_o.png" data-mid="14842809" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/998645/screen-shot-2011-09-10-at-2-36-41-pm.png" width="518" height="341" width_o="518" height_o="341" src_o="http://payload.cargocollective.com/1/1/34263/998645/screen-shot-2011-09-10-at-2-36-41-pm_o.png" data-mid="14842810" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/998645/screen-shot-2011-09-10-at-2-37-18-pm.png" width="518" height="333" width_o="518" height_o="333" src_o="http://payload.cargocollective.com/1/1/34263/998645/screen-shot-2011-09-10-at-2-37-18-pm_o.png" data-mid="14842812" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/998645/screen-shot-2011-09-07-at-1-05-36-pm1.png" width="518" height="484" width_o="518" height_o="484" src_o="http://payload.cargocollective.com/1/1/34263/998645/screen-shot-2011-09-07-at-1-05-36-pm1_o.png" data-mid="14842813" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/998645/screen-shot-2011-09-10-at-1-50-09-pm.png" width="518" height="341" width_o="518" height_o="341" src_o="http://payload.cargocollective.com/1/1/34263/998645/screen-shot-2011-09-10-at-1-50-09-pm_o.png" data-mid="14842817" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/998645/brochurefront.jpeg" width="518" height="400" width_o="518" height_o="400" src_o="http://payload.cargocollective.com/1/1/34263/998645/brochurefront_o.jpeg" data-mid="14842901" border="0" align="left"/> http://victoriakeddie.com/LOST-SYMBOLS-D-c-sS http://victoriakeddie.com/following/victoriakeddie.com/LOST-SYMBOLS-D-c-sS Sat, 11 Jun 2011 17:30:08 +0000 Gedanken 411483 Curated by Victoria Keddie and Jennifer Zazo Convent of St. Cecilia, 21 Monitor Street, Brooklyn NY October 22-October 31 2010 Viewing Hours: Saturdays and Sundays 12-6pm Special viewing Wednesday 27 October 1-7pm SELECTED IMAGES, © Jeff Ellstone, II, 2010 <img src="http://payload.cargocollective.com/1/1/34263/411483/IMG_8731.jpg" width="576" height="864" width_o="576" height_o="864" src_o="http://payload.cargocollective.com/1/1/34263/411483/IMG_8731_o.jpg" data-mid="3455579" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/IMG_8743.jpg" width="670" height="446" width_o="1152" height_o="768" src_o="http://payload.cargocollective.com/1/1/34263/411483/IMG_8743_o.jpg" data-mid="3455581" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/IMG_8747.jpg" width="576" height="864" width_o="576" height_o="864" src_o="http://payload.cargocollective.com/1/1/34263/411483/IMG_8747_o.jpg" data-mid="3455583" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/IMG_8749.jpg" width="670" height="446" width_o="1152" height_o="768" src_o="http://payload.cargocollective.com/1/1/34263/411483/IMG_8749_o.jpg" data-mid="3455586" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/IMG_8759.jpg" width="670" height="446" width_o="1152" height_o="768" src_o="http://payload.cargocollective.com/1/1/34263/411483/IMG_8759_o.jpg" data-mid="3455589" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/IMG_8764.jpg" width="670" height="446" width_o="1152" height_o="768" src_o="http://payload.cargocollective.com/1/1/34263/411483/IMG_8764_o.jpg" data-mid="3455592" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/IMG_8770.jpg" width="576" height="864" width_o="576" height_o="864" src_o="http://payload.cargocollective.com/1/1/34263/411483/IMG_8770_o.jpg" data-mid="3455595" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/IMG_8775.jpg" width="576" height="864" width_o="576" height_o="864" src_o="http://payload.cargocollective.com/1/1/34263/411483/IMG_8775_o.jpg" data-mid="3455597" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/IMG_8782.jpg" width="576" height="864" width_o="576" height_o="864" src_o="http://payload.cargocollective.com/1/1/34263/411483/IMG_8782_o.jpg" data-mid="3455598" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/IMG_8790.jpg" width="576" height="864" width_o="576" height_o="864" src_o="http://payload.cargocollective.com/1/1/34263/411483/IMG_8790_o.jpg" data-mid="3455599" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/IMG_8798.jpg" width="670" height="446" width_o="1152" height_o="768" src_o="http://payload.cargocollective.com/1/1/34263/411483/IMG_8798_o.jpg" data-mid="3455600" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/IMG_8807.jpg" width="576" height="864" width_o="576" height_o="864" src_o="http://payload.cargocollective.com/1/1/34263/411483/IMG_8807_o.jpg" data-mid="3455602" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/IMG_8813.jpg" width="670" height="446" width_o="1152" height_o="768" src_o="http://payload.cargocollective.com/1/1/34263/411483/IMG_8813_o.jpg" data-mid="3455603" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/IMG_8823.jpg" width="576" height="864" width_o="576" height_o="864" src_o="http://payload.cargocollective.com/1/1/34263/411483/IMG_8823_o.jpg" data-mid="3455604" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/IMG_8826.jpg" width="670" height="446" width_o="1152" height_o="768" src_o="http://payload.cargocollective.com/1/1/34263/411483/IMG_8826_o.jpg" data-mid="3455606" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/IMG_8836.jpg" width="536" height="864" width_o="536" height_o="864" src_o="http://payload.cargocollective.com/1/1/34263/411483/IMG_8836_o.jpg" data-mid="3455607" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/IMG_8852.jpg" width="670" height="446" width_o="1152" height_o="768" src_o="http://payload.cargocollective.com/1/1/34263/411483/IMG_8852_o.jpg" data-mid="3455608" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/IMG_8864.jpg" width="576" height="864" width_o="576" height_o="864" src_o="http://payload.cargocollective.com/1/1/34263/411483/IMG_8864_o.jpg" data-mid="3455609" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/IMG_8879.jpg" width="576" height="864" width_o="576" height_o="864" src_o="http://payload.cargocollective.com/1/1/34263/411483/IMG_8879_o.jpg" data-mid="3455612" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/IMG_8881.jpg" width="670" height="446" width_o="1152" height_o="768" src_o="http://payload.cargocollective.com/1/1/34263/411483/IMG_8881_o.jpg" data-mid="3455613" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/IMG_8895.jpg" width="670" height="446" width_o="1152" height_o="768" src_o="http://payload.cargocollective.com/1/1/34263/411483/IMG_8895_o.jpg" data-mid="3455614" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/IMG_8898.jpg" width="576" height="864" width_o="576" height_o="864" src_o="http://payload.cargocollective.com/1/1/34263/411483/IMG_8898_o.jpg" data-mid="3455615" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/IMG_8903.jpg" width="576" height="864" width_o="576" height_o="864" src_o="http://payload.cargocollective.com/1/1/34263/411483/IMG_8903_o.jpg" data-mid="3455616" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/IMG_8916.jpg" width="670" height="446" width_o="1152" height_o="768" src_o="http://payload.cargocollective.com/1/1/34263/411483/IMG_8916_o.jpg" data-mid="3455617" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/IMG_8920.jpg" width="670" height="446" width_o="1152" height_o="768" src_o="http://payload.cargocollective.com/1/1/34263/411483/IMG_8920_o.jpg" data-mid="3455619" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/IMG_8924.jpg" width="576" height="864" width_o="576" height_o="864" src_o="http://payload.cargocollective.com/1/1/34263/411483/IMG_8924_o.jpg" data-mid="3455620" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/IMG_8931.jpg" width="576" height="864" width_o="576" height_o="864" src_o="http://payload.cargocollective.com/1/1/34263/411483/IMG_8931_o.jpg" data-mid="3455621" border="0" align="left"/> http://www.flickr.com/photos/sonicribbon/sets/72157625258618896/with/5123128658/ Selected photostream, ©Jessica Findley, 2010 <img src="http://payload.cargocollective.com/1/1/34263/411483/LostSymbols_Press-Release.jpg" width="670" height="434" width_o="1224" height_o="794" src_o="http://payload.cargocollective.com/1/1/34263/411483/LostSymbols_Press-Release_o.jpg" data-mid="3020902" border="0" align="left"/> PROGRAM Friday 22 OCT 6-11pm DARK MATTER (2nd floor) 7pm Archegram: 2nd Iteration by Sadek Bazaraa w/live audio by Ateleia (Chapel) 8pm STELLÆ RUBEÆ "Infernal Adorations of OAI" Dave Nuss + members of the OTO 9-11pm “Spectra & Ocula” with Bradley Eros, Lary Seven, & other realms Saturday 23 OCT 7-11pm Full Moon Ceremony 7-11 Sarah Halpern, H. Honne Wells, Spirit Of..., Dave First and Jasmine Pasquill, Warm Ghost, Open Ocean Sunday 24 OCT 4-6pm Meditation Ceremony with Stephen Popiotek Wednesday 27 OCT 7-9pm This is Not a Shop: The Writers Workshop open meeting (Founded by This is Not a Shop Gallery, Dublin, IRE) Friday 29 OCT 8-11pm  Ontological screening curated by Brian McCarthy   Sat 30 OCT 7-11pm 8pm EUC 9pm A Ritual of Erotognosis on the Eve of Samhain performed by Rowan (Shelley Burgon of Stars Like Fleas/Family Dynamics) + Chaos.:.Majik (Todd Brooks of Pendu) + LAYLAH (Paige Flash) Lost Symbols brings together the work of contemporary artists who investigate, dissect, appropriate, and translate mystic occult ritual, alchemy, mythology, and symbolism. The artists represented have each uniquely contributed their own individual interpretations of the theme through a diversity of mediums and artistic methodologies including, but not limited to: film, painting, sculpture, drawing, printmaking, performance, and sound-in site-specific installations. Programs include screenings and live performances involving ontology, fantasma, and phatasmagoria. Sound programs reference ritual, phenomenology, and transcendence. Our aim for the exhibit, is to bring attention to the use of this specific symbolism in contemporary art and semiotics, and to bridge the more subdued pockets of history. <img src="http://payload.cargocollective.com/1/1/34263/411483/06.jpeg" width="640" height="427" width_o="640" height_o="427" src_o="http://payload.cargocollective.com/1/1/34263/411483/06_o.jpeg" data-mid="2275553" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/07.jpeg" width="640" height="427" width_o="640" height_o="427" src_o="http://payload.cargocollective.com/1/1/34263/411483/07_o.jpeg" data-mid="2275554" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/08.jpeg" width="640" height="427" width_o="640" height_o="427" src_o="http://payload.cargocollective.com/1/1/34263/411483/08_o.jpeg" data-mid="2275555" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/03_Betsy Davis.jpg" width="642" height="462" width_o="642" height_o="462" src_o="http://payload.cargocollective.com/1/1/34263/411483/03_Betsy Davis_o.jpg" data-mid="1821895" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/01_Betsy Davis.jpg" width="629" height="452" width_o="629" height_o="452" src_o="http://payload.cargocollective.com/1/1/34263/411483/01_Betsy Davis_o.jpg" data-mid="1845054" border="0" align="left"/>{image 6}<img src="http://payload.cargocollective.com/1/1/34263/411483/18_Kelly Lynn Jones.jpg" width="401" height="600" width_o="401" height_o="600" src_o="http://payload.cargocollective.com/1/1/34263/411483/18_Kelly Lynn Jones_o.jpg" data-mid="1821902" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/19_Kelly Lynn Jones.jpg" width="600" height="401" width_o="600" height_o="401" src_o="http://payload.cargocollective.com/1/1/34263/411483/19_Kelly Lynn Jones_o.jpg" data-mid="1821903" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/17_Vandana Jain.jpg" width="359" height="400" width_o="359" height_o="400" src_o="http://payload.cargocollective.com/1/1/34263/411483/17_Vandana Jain_o.jpg" data-mid="1845099" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/mandala-pseg-schering.gif" width="400" height="400" width_o="400" height_o="400" src_o="http://payload.cargocollective.com/1/1/34263/411483/mandala-pseg-schering_o.gif" data-mid="2557800" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/Picture 20.png" width="357" height="239" width_o="357" height_o="239" src_o="http://payload.cargocollective.com/1/1/34263/411483/Picture 20_o.png" data-mid="2275695" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/Picture 21.png" width="237" height="361" width_o="237" height_o="361" src_o="http://payload.cargocollective.com/1/1/34263/411483/Picture 21_o.png" data-mid="2275698" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/Picture 22.png" width="358" height="238" width_o="358" height_o="238" src_o="http://payload.cargocollective.com/1/1/34263/411483/Picture 22_o.png" data-mid="2275700" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/23_Jasmine Pasquil.jpg" width="400" height="300" width_o="400" height_o="300" src_o="http://payload.cargocollective.com/1/1/34263/411483/23_Jasmine Pasquil_o.jpg" data-mid="1821904" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/22_Jasmine Pasquil.jpg" width="400" height="300" width_o="400" height_o="300" src_o="http://payload.cargocollective.com/1/1/34263/411483/22_Jasmine Pasquil_o.jpg" data-mid="1845111" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/24_Jasmine Pasquil.jpg" width="480" height="380" width_o="480" height_o="380" src_o="http://payload.cargocollective.com/1/1/34263/411483/24_Jasmine Pasquil_o.jpg" data-mid="1845113" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/08_Jessica Findley.jpg" width="670" height="489" width_o="900" height_o="657" src_o="http://payload.cargocollective.com/1/1/34263/411483/08_Jessica Findley_o.jpg" data-mid="1821896" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/07_Jessica Findley.jpg" width="600" height="781" width_o="600" height_o="781" src_o="http://payload.cargocollective.com/1/1/34263/411483/07_Jessica Findley_o.jpg" data-mid="1845060" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/32_Sabbath Assembly.jpg" width="313" height="245" width_o="313" height_o="245" src_o="http://payload.cargocollective.com/1/1/34263/411483/32_Sabbath Assembly_o.jpg" data-mid="1821907" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/31_Sabbath Assembly.jpg" width="462" height="698" width_o="462" height_o="698" src_o="http://payload.cargocollective.com/1/1/34263/411483/31_Sabbath Assembly_o.jpg" data-mid="1845122" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/33_Sabbath Assembly.jpg" width="648" height="489" width_o="648" height_o="489" src_o="http://payload.cargocollective.com/1/1/34263/411483/33_Sabbath Assembly_o.jpg" data-mid="1821908" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/10_Judith Hoffman and Yashua Klos.jpg" width="360" height="480" width_o="360" height_o="480" src_o="http://payload.cargocollective.com/1/1/34263/411483/10_Judith Hoffman and Yashua Klos_o.jpg" data-mid="1821899" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/IMG_10.jpg" width="670" height="446" width_o="2048" height_o="1365" src_o="http://payload.cargocollective.com/1/1/34263/411483/IMG_10_o.jpg" data-mid="2595417" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/IMG_11.jpg" width="670" height="446" width_o="2048" height_o="1365" src_o="http://payload.cargocollective.com/1/1/34263/411483/IMG_11_o.jpg" data-mid="2595420" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/Picture 2.png" width="611" height="483" width_o="611" height_o="483" src_o="http://payload.cargocollective.com/1/1/34263/411483/Picture 2_o.png" data-mid="2595472" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/Picture 3.png" width="366" height="498" width_o="366" height_o="498" src_o="http://payload.cargocollective.com/1/1/34263/411483/Picture 3_o.png" data-mid="2595473" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/Picture 6.png" width="590" height="486" width_o="590" height_o="486" src_o="http://payload.cargocollective.com/1/1/34263/411483/Picture 6_o.png" data-mid="2595593" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/14_Vandana Jain.jpg.jpg" width="400" height="267" width_o="400" height_o="267" src_o="http://payload.cargocollective.com/1/1/34263/411483/14_Vandana Jain.jpg_o.jpg" data-mid="2595680" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/15_Vandana Jain.jpg.jpg" width="400" height="300" width_o="400" height_o="300" src_o="http://payload.cargocollective.com/1/1/34263/411483/15_Vandana Jain.jpg_o.jpg" data-mid="2595681" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/Picture 1.png" width="635" height="473" width_o="635" height_o="473" src_o="http://payload.cargocollective.com/1/1/34263/411483/Picture 1_o.png" data-mid="2698755" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/Picture 2_29.png" width="634" height="473" width_o="634" height_o="473" src_o="http://payload.cargocollective.com/1/1/34263/411483/Picture 2_29_o.png" data-mid="2698756" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/Picture 3_30.png" width="567" height="413" width_o="567" height_o="413" src_o="http://payload.cargocollective.com/1/1/34263/411483/Picture 3_30_o.png" data-mid="2698758" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/Screen shot 2010-07-06 at 4.21.50 PM.png" width="640" height="360" width_o="640" height_o="360" src_o="http://payload.cargocollective.com/1/1/34263/411483/Screen shot 2010-07-06 at 4.21.50 PM_o.png" data-mid="2275556" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/Screen shot 2010-07-06 at 4.37.52 PM.png" width="640" height="361" width_o="640" height_o="361" src_o="http://payload.cargocollective.com/1/1/34263/411483/Screen shot 2010-07-06 at 4.37.52 PM_o.png" data-mid="2275557" border="0" align="left"/> Participants: Vandana Jain, Betsy Davis, Sadek Bazaraa, Jessica Findley, Jasmine Pasquill, Francesca Tallone, Bradley Eros, Lary Seven, Kelly Lynn Jones, Collin McKelvey, Todd Brooks, Hank Shedd, Rebecca Gaffney, Judith Hoffman, Kitakiya Dennis, Yashua Klos, Lance Paladino, Sarah Halpern, Think Think Think Why Why Why Collective, Barron Claiborne, Bryan–Abdul Collins, Paul Duncan, Warm Ghost, Kitakiya Dennis, Marisa Aragona, Sarah Kuhn, Jex Thoth and Xtian, H. Honne Wells, Shelley Burgon, Roe Enney, Brian McCarthy, Sarah Malik, Allison Maletz, Tim Geraghty, Tim Hull, Mika Tarkela, Dark Matter, Open Ocean, EUC..and more! <img src="http://payload.cargocollective.com/1/1/34263/411483/Picture 3_37.png" width="670" height="461" width_o="751" height_o="517" src_o="http://payload.cargocollective.com/1/1/34263/411483/Picture 3_37_o.png" data-mid="3022060" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/411483/Picture 4.png" width="670" height="480" width_o="754" height_o="541" src_o="http://payload.cargocollective.com/1/1/34263/411483/Picture 4_o.png" data-mid="3022061" border="0" align="left"/> The genesis of this exhibition came from ideas articulated in a joint-research project entitled, “In the Shadow of Benevolence: Early African-American Secret Societies,” that Victoria Keddie and Jennifer Zazo collaborated on during their graduate work in Museum Studies at New York University. <img src="http://payload.cargocollective.com/1/1/34263/411483/photo-1.jpeg" width="432" height="493" width_o="432" height_o="493" src_o="http://payload.cargocollective.com/1/1/34263/411483/photo-1_o.jpeg" data-mid="3500737" border="0" align="left"/> http://victoriakeddie.com/Lo-Siento-por-Sonido http://victoriakeddie.com/following/victoriakeddie.com/Lo-Siento-por-Sonido Mon, 31 Jan 2011 04:05:49 +0000 Gedanken 998608 by Victoria Keddie and Jessica Findley "The objective is to put the audience into the role of conductor-in both a literal sense and metaphorically. Walls and furniture found within the building will be transformed into a large zither. The idea for this installation comes from the knowledge and appreciation of perceived realities. Both artists involved began a working relationship utilizing sound as a catalyst for dissecting or dissolving commonplace auditory perceptions. This installation is an extension of this process." part I: (raw) &#9835; Lo Siento por Sonido.mp3 http://dl.dropbox.com/u/11689186/Lo%20Siento%20por%20Sonido.mp3 Photos © Jessica Findley <img src="http://payload.cargocollective.com/1/1/34263/998608/IMG_6161_2.jpeg" width="670" height="1005" width_o="2048" height_o="3072" src_o="http://payload.cargocollective.com/1/1/34263/998608/IMG_6161_2_o.jpeg" data-mid="4811739" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/998608/Screen shot 2011-01-31 at 3.34.39 PM.png" width="635" height="419" width_o="635" height_o="419" src_o="http://payload.cargocollective.com/1/1/34263/998608/Screen shot 2011-01-31 at 3.34.39 PM_o.png" data-mid="4812232" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/998608/Screen shot 2011-01-31 at 3.34.28 PM.png" width="636" height="420" width_o="636" height_o="420" src_o="http://payload.cargocollective.com/1/1/34263/998608/Screen shot 2011-01-31 at 3.34.28 PM_o.png" data-mid="4812231" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/998608/IMG_6157.jpeg" width="670" height="446" width_o="2048" height_o="1365" src_o="http://payload.cargocollective.com/1/1/34263/998608/IMG_6157_o.jpeg" data-mid="4811723" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/998608/Screen shot 2011-01-31 at 3.34.52 PM.png" width="629" height="406" width_o="629" height_o="406" src_o="http://payload.cargocollective.com/1/1/34263/998608/Screen shot 2011-01-31 at 3.34.52 PM_o.png" data-mid="4812234" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/998608/Screen shot 2011-01-31 at 3.35.01 PM.png" width="634" height="418" width_o="634" height_o="418" src_o="http://payload.cargocollective.com/1/1/34263/998608/Screen shot 2011-01-31 at 3.35.01 PM_o.png" data-mid="4812235" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/998608/Screen shot 2011-01-31 at 3.35.17 PM.png" width="632" height="417" width_o="632" height_o="417" src_o="http://payload.cargocollective.com/1/1/34263/998608/Screen shot 2011-01-31 at 3.35.17 PM_o.png" data-mid="4812239" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/998608/Screen shot 2011-01-31 at 3.35.28 PM.png" width="626" height="411" width_o="626" height_o="411" src_o="http://payload.cargocollective.com/1/1/34263/998608/Screen shot 2011-01-31 at 3.35.28 PM_o.png" data-mid="4812242" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/998608/Screen shot 2011-01-31 at 3.35.36 PM.png" width="414" height="620" width_o="414" height_o="620" src_o="http://payload.cargocollective.com/1/1/34263/998608/Screen shot 2011-01-31 at 3.35.36 PM_o.png" data-mid="4812243" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/998608/Screen shot 2011-01-31 at 3.35.48 PM.png" width="625" height="413" width_o="625" height_o="413" src_o="http://payload.cargocollective.com/1/1/34263/998608/Screen shot 2011-01-31 at 3.35.48 PM_o.png" data-mid="4812244" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/998608/Screen shot 2011-01-31 at 3.35.56 PM.png" width="633" height="422" width_o="633" height_o="422" src_o="http://payload.cargocollective.com/1/1/34263/998608/Screen shot 2011-01-31 at 3.35.56 PM_o.png" data-mid="4812245" border="0" align="left"/> Performed live at:
SEQUENCE OF WAVES EXHIBITION: Saturday, January 29th ONLY
HOURS: 2 pm – 9 pm
LOCATION: St. Cecelia’s Convent
21 Monitor Street, Greenpoint, Brooklyn
484 Union Ave, Williamsburg, Brooklyn 
CONTACT: Rabid Hands
rabidhands@gmail.com Rabid Hands is pleased to present Sequence of Waves, the collective’s inaugural sound, visual and multi-media art exhibition. The exhibition is open to the public for one day only, on Saturday, January 29th at St. Cecilia’s Gallery in Greenpoint, Brooklyn, and will include scheduled performances. Participating artists include: Adriana Atema, Ranjit Bhatnagar, Alex Drewchin, Terence Caulkins, Skye Chamberlain, Nick Chatfield-Taylor, Ryan Chin, G. Lucas Crane, Jesse Cronan, Vanessa Cronan, Alex Drewchin, Jan Drojarski, Serra Victoria Bothwell Fels, Jessica Findley, Lillian Gerson, Kendall Glover, Jesse Gold, George Graham, Doktor Greg, James Haddrill, Gaylen Hamilton, Maya Hayuk, Travis Iurato, Elijah Kast, Victoria Keddie, Jesse Kreuzer, Taylor Kuffner, Roberto Lange, Steven Ma, Lili Maya, Zelijko McMullen, Steven Milton, Rob Minervini, Caleb Mitchell, Ben Mortimer, Kelly Nicholson, Ryan O’Connor, Brian Osborne, Mike O’Toole, Brandon Perry, Zac Poff, Nandan Rao, Allen Riley, John Roach, James Rouvelle, Amanda Salane, Isabella Scott, Tod Seelie, Ben Simon, Phillip Stearns, Martyna Szcz, Heidi Tullmann, Emily Willis, Ben Wolf, Nick Yulman, Tyler Zwiep. http://victoriakeddie.com/SIGNAL-TO-NOISE-Koda-chroma http://victoriakeddie.com/following/victoriakeddie.com/SIGNAL-TO-NOISE-Koda-chroma Thu, 06 Jan 2011 03:40:46 +0000 Gedanken 907906 MUSEUM OF THE MOVING IMAGE 35 Ave at 37 St Astoria, NY 11106 Saturday, January 15, 8:00 pm Victoria Keddie, Bradley Eros, Lary 7 16 mm, 8mm, S 8mm, slide projection with prepared violin <img src="http://payload.cargocollective.com/1/1/34263/907906/IMG_1242.JPG" width="670" height="500" width_o="2048" height_o="1529" src_o="http://payload.cargocollective.com/1/1/34263/907906/IMG_1242_o.JPG" data-mid="4527401" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/907906/IMG_1243.JPG" width="670" height="500" width_o="2048" height_o="1529" src_o="http://payload.cargocollective.com/1/1/34263/907906/IMG_1243_o.JPG" data-mid="4527404" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/907906/Picture 1_3.png" width="670" height="379" width_o="843" height_o="478" src_o="http://payload.cargocollective.com/1/1/34263/907906/Picture 1_3_o.png" data-mid="4527485" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/907906/Picture 2.png" width="670" height="367" width_o="821" height_o="450" src_o="http://payload.cargocollective.com/1/1/34263/907906/Picture 2_o.png" data-mid="4527486" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/907906/P1020721.jpeg" width="500" height="375" width_o="500" height_o="375" src_o="http://payload.cargocollective.com/1/1/34263/907906/P1020721_o.jpeg" data-mid="4553913" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/907906/P1020712.jpeg" width="500" height="375" width_o="500" height_o="375" src_o="http://payload.cargocollective.com/1/1/34263/907906/P1020712_o.jpeg" data-mid="4553908" border="0" align="left"/> http://www.movingimage.us/visit/calendar/2011/01/15/detail/signal-to-noise http://www.flickr.com/photos/ryananthonydonaldson/5378741133/in/set-72157625883669374/ Idea behind the piece came from the recent discontinuation of kodachrome production and processing. Utilizing a movie theater as chosen location, the idea was to project a montage of found kodachrome film--a medium, now dead (or rather, comatose). Multiple projections would barrage the big screen, using a full-screen 16mm kodachrome feature, layered with multiple snapshot moments from home movies, instructional films, landscape, and a few chance oddities caught on film. An additional screen used for small gauge films stood center stage -becoming a pocket on the large screen behind it.The prepared violin with analog recording playback, and Morse code transmitter, and was chosen as the sound component of a multi-layered dialogue. This complex narrative of memory, sensation, and voyeurism, would create for the audience a visceral as well as visual experience. Veterans of expanded cinema, Bradley Eros and Lary 7, orchestrated the visual imagery in small gauge from the audience. I performed the soundtrack to coincide with the selected imagery. It was a collaboration of condolences for a medium we mutually treasure. <img src="http://payload.cargocollective.com/1/1/34263/907906/Picture 1.png" width="670" height="341" width_o="1078" height_o="550" src_o="http://payload.cargocollective.com/1/1/34263/907906/Picture 1_o.png" data-mid="4408799" border="0" align="left"/> The Museum's inaugural Signal to Noise party will take over the building with a three-ring circus of live electronic music, moving image performances, and interactive art. Artists, hackers, musicians, and filmmakers will activate every area of the Museum late into the night. Nick Yulman and his robotic orchestra will accompany silent films (including Georges Méliès's 1900 The One-Man Band and Maya Deren and Alexander Hammid's 1943 Meshes of the Afternoon); Martha Colburn performs live double-projections accompanied by Thollem McDonas, Greg Saunier, John Keay, Mike Evans, Laura Ortman, Matt Marinelli, Tom Carter and Marc Orleans; chiptune artists Bit Shifter and Nullsleep electrify the dance floor with their hacked Gameboys, with outpt and Paris holding down the visuals; laptock rock band Project Jenny, Project Jan rattles the walls; Scott Draves and the Electric Sheep evolve on screen; Victoria Keddie leads a Kodachrome funeral with prepared violin; DJ $mall ¢hange lays down the beat; Fall On Your Sword accompany their mashed-up videos of William Shatner and David Hasselhoff with live electro-jams; VJ Shantell Martin extracts partygoers' digital auras with Liz Armstrong on the decks; Sweatshoppe passes out video paint rollers; and Babycastles drops their DIY art game cabinets and unleashes a roving cyborg arcade. 8:30pm: Nick Yulman 9:00pm: Bit Shifter (outpt and Paris on visuals) 9:00pm: Martha Colburn with Thollem McDonas, Greg Saunier, John Keay, and Mike Evans 9:30pm: Victoria Keddie 10:00pm: Nullsleep (outpt and Paris on visuals) 10:30pm: Martha Colburn with Thollem McDonas, Greg Saunier, John Keay, Mike Evans, Laura Ortman, Matt Marinelli, Tom Carter and Marc Orleans 10:30pm: Nick Yulman 11:00pm: Fall On Your Sword 11:30pm: Victoria Keddie 12:00am: Project Jenny, Project Jan 12:00am: Shantell Martin with Liz Armstrong With Scott Draves and the Electric Sheep, Sweatshoppe, DJ $mall ¢hange, and Babycastles all night Tickets: $15 public (when ordered online), $20 at door / $10 Museum members / Free for Silver Screen level and above. http://flavorpill.com/newyork/events/2011/1/15/signal-to-noise <img src="http://payload.cargocollective.com/1/1/34263/907906/main theater-1.jpeg" width="397" height="204" width_o="397" height_o="204" src_o="http://payload.cargocollective.com/1/1/34263/907906/main theater-1_o.jpeg" data-mid="4348864" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/34263/907906/main theater.jpeg" width="397" height="254" width_o="397" height_o="254" src_o="http://payload.cargocollective.com/1/1/34263/907906/main theater_o.jpeg" data-mid="4348865" border="0" align="left"/>